|
|
|
COURSE CALENDAR FOR AML 4213 |
|
Date |
Lectures |
Topics & Readings |
Assignment
Instructions/Due Dates |
|
|
Please note: each week below is divided into two blocks to help you proportion your study time. |
Prof =
lectures. Click on them. They are required reading. |
All E-texts (click on them), professor lectures, and our major authors/books (the ones ordered for the bookstore) are required reading. |
Especially in a summer term, things can get very busy—so pay attention to the ebb and flow of the workload and apportion your time accordingly! |
|
|
Week 1: June
27-July 3 |
|
Vespucci, "Account of His First Voyage" (E-text)
|
CLICK THE "Prof...." LINKS TO THE FAR LEFT FOR MY
LECTURES. YOU SHOULD LOOK AT THESE BEFORE, DURING, AND/OR AFTER YOU READ OUR
MAIN AUTHORS (IT'S UP TO YOU, ACCORDING TO YOUR LEARNING STYLE). |
|
|
Week 1: continued |
|
Try to read the entire play by
today (or at least the first ½). Utopia |
Remember to contribute to the
Discussion Forum; and remember to cut-and-paste your substantial postings in
an accumulating file, which you will turn in at the end of the semester. |
|
|
Week 2: July 4-10 (see below as well) |
Sioux Indian "Younger Brother" Tale (e-text)
Native
Winthrop, "Christian Experience," "Journal," & "Model" (e-text)
Bradford, Of Plymouth Plantation (e-text) |
DEAR SOME STUDENTS: SOME OF YOU HAVE NOT BEEN CHECKING YOUR EMAIL WITHIN THE BLACKBOARD SYSTEM FOR IMPORTANT MESSAGES. AND SOME OF YOU HAVE NOT BEEN READING OR INITIATING POSTS. YOU GET TO BOTH AREAS OF THE SYSTEM BY CLICKING ON THE ICONS ON THE FAR LEFT OF THE BLACKBOARD MENU. WE’RE NOW IN THE SECOND WEEK, AND VERY SOON THE “SOME” SHOULD BE REPLACED WITH “ZERO”!
|
||
|
Week 2: continued |
|
|
||
|
Week 3: July 11-17 (see below as well) |
Puritan summary 2 & Rowlandson
|
|||
|
Week 3: continued |
Equiano, The Life of...: Editor’s Note or Introduction (not the Preface written by Equiano himself!!!); Chapters I-III, IV (first several pages), V, VII-VIII, X-XI, XII (first several pages; last several pages), & Preface (Preface only makes sense after you've read the narrative)
|
Important: Please remember that although some lag time is acceptable (working students often post on the weekend following the week's readings) in respect to the Discussion forums, being chronically out of season is not acceptable. To mix the metaphor: you don’t want to join the party, when the party has moved on to another locale. |
||
|
Week 4: July 18-24 (see below as well) |
Franklin, Autobiography of B. Franklin (Parts One & Two)
Please review the Course Summary to help you consolidate your
understanding of our readings thus far:
|
Please note xxxxx Wed. is the last day to drop the course with a DR grade.
Link for Instructions: For Essay#2 Due Monday June 13 by Midnight
ESSAY DUE MARCH 1 CLICK FOR INSTRUCTIONS (if you write on
Equiano your paper can be due the following week, March 8) |
||
|
Week 4: |
shbridge, Autobiography (in Journeys) Read the introductory material on Quakers in our edition (121-23)
before reading Ashbridge's account (147-70). |
Again: Please remember that although some lag time is
acceptable (working students often post on the weekend following the week's
readings) in respect to the Discussion forums, being chronically out of
season is not acceptable. To mix the metaphor: you
don’t want to join the party, when the party has moved on to another locale. |
||
|
Week 5: |
|
Brown, Wieland (do not read Memoirs of Carwin)
|
||
|
Week 5: continued |
||||
|
Week 6: |
|
Crevecoeur,
"What is an American?" (e-text) |
||
|
Week 6: continued |
Irving, "Rip Van Winkle" (e-text)
Emerson,
Excerpt from “Nature” (e-text)
|
|||
|
Week 7: Aug 8-12 (see below as well) |
|
|||
|
Week 7: continued |
Link for Instructions: For
Discussion Forum |
|||
|
Aug xx: Official last day of class
|
|
http://www.fiu.edu/~harveyb/bruceharvey http://www.turnitin.com course I.D. =3040210 password =
columbus AML 4213—Journeys to America (Early American
Literature) Prof. Bruce Harvey Office Phone:
305-919-5254 harveyb@fiu.edu Key concepts about this country's national identity took shape as European travelers explored and then settled upon the continent. In this course, we'll read travel narratives, autobiographies, political-religious treatises, novels, and other literary works to examine how the new nation, ideologically and psycho-culturally, came into being. Our readings will especially focus on pre-1830 cross-cultural encounters and clashes from a variety of perspectives (native American, European, and African). I will give occasional lectures to fill in historical or cultural or theoretical context, but the bulk of class time will be devoted to discussion. Besides introducing you to a fascinating area and era of study, a major goal of this course is to improve your analytical abilities--specifically, your ability to see how texts work rhetorically, aesthetically, and culturally. Another major goal is to develop your skill and pleasure in communicating ideas, both in class and on paper. |
|
Shakespeare, The Tempest (Pelican) Sagely, imperialistic-minded Prospero vs. the sly, lyrical, beastly Caliban: this late play of the Bard presents the key issues that later define the New World experience.
This volume includes an autobiography of a demur Puritan woman, Mary Rowlandson, who learns to survive in the Indian “wilderness”; and the memoir of a Quaker woman who recalls her rebellious escape from paternal and cultural tyranny to carve out a space of independence in the New World.
From village in Africa, to slave ship, to the Americas and middle-class success: Equiano’s life-story captures the early tensions of African-American identity in elegant and stirring prose.
|
Participation and
attendance:
Every student is a vital part of the class community, and I will expect you
to work to make the class an intellectually energizing experience. The flow of
good discussions will result in a course more satisfying for everyone.
Participation can take a variety of forms--the raising of questions or
issues, stating opinions about the work or topic being discussed, responding
to other students’ or my comments, involvement in group activities, and so
on. Classroom participation will affect your final grade positively, helping
to pull it up a notch or two, especially in borderline cases. Response Papers: Response papers help make sure you are on "top" of the readings and prepared for discussion (in lieu of quizzes or exams!) and help you develop the habit of intense scrutiny. There will be ten of them, each worth ten points; grades will be based on a standard grade scale (i.e., A- =9, B- = 8, etc.). There will be two catch-up responses towards the end of the semester (to replace 0/F grades or lackluster ones), but otherwise they will be due, via Turnitin, on the designated dates on the syllabus. Usually, you’ll be asked to respond to a passage in a work we’re about to discuss, or you’ll be asked to select a significant passage on your own and justify/explain its significance; sometimes the cues may be more open-ended. I’ll give the response paper cue at least one week in advance; they must be submitted before the class meeting they are associated with. I’m not a word counter, but you should try for about 250 words for each response. A decent style, solid grammar, and clarity and insight are expected. Please submit them via Turnitin in single-space format. Feedback will not be lavish, but I will try to direct your attention to poor prose habits and potential seed ideas (in anticipation of the Essay below). Essay: Topics will be given for this ten-page paper; I encourage you, however, to develop your own. A handout for topics and essay-writing tips will be provided down-the-road. Little slack will be given for sloppy prose. Any essay with a number of major grammatical or sentence-construction glitches will be returned without a grade, and at my discretion will be deemed late. A late paper will be penalized a grade for each class period submitted late, and only emergencies will allow you to submit your essay late without a penalty. Revisions will be accepted up to two weeks after you get your paper assessed on Turnitin; please review your paper with me in conference before you revise it. The revision grade replaces the original grade; however, my standards for revision are very high, so casual revising (fixing a problem here and there) will not earn you a better grade. Submit the revised paper directly to me via email (not Turnitin). Take-home Final Synthesis Exam: You will be given three broad and comprehensive questions roughly two weeks before the due date of the exam (the otherwise date for an in-class exam, if there were one). You will choose one of the questions, leading you to discuss an issue/theme/etc. in four or five of our main authors. Instructions will be provided down-the-road. As this essay is at the end of the semester, revisions will not be possible. Incompletes: These can only be granted if you have a health or family emergency. Plagiarism: Don't do it.
Plagiarism is easy to detect (especially by the Turnitin site), and the
consequences for being found guilty of it can be devastating for your FIU
career, besides being ethically nasty. If you do not know FIU's policies on
plagiarism, learn them. If you get desperate/stressed in your course work,
it’s better to talk to your professor than to passively not turn in work or
cheat. |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||