http://www.fiu.edu/~harveyb/bruceharvey

http://www.turnitin.com  course I.D. =3040210  password = columbus  

LINK TO COURSE SUMMARY

AML 4213—Journeys to America (Early American Literature)
Spring 2010
Monday & Wednesday evenings 5:00-6:15
Biscayne Bay Campus

Prof. Bruce Harvey

BBC AC1 378
Office Hours: 3:00-5:00 Monday, 4:00-5:00 Wednesday, and by appointment

Office Phone: 305-919-5254
Home phone: 954-920-8938 (for non-routine situations and inquiries)

harveyb@fiu.edu

Key concepts about this country's national identity took shape as European travelers explored and then settled upon the continent.  In this course, we'll read travel narratives, autobiographies, political-religious treatises, novels, and other literary works to examine how the new nation, ideologically and psycho-culturally, came into being.  Our readings will especially focus on pre-1830 cross-cultural encounters and clashes from a variety of perspectives (native American, European, and African).

 

I will give occasional lectures to fill in historical or cultural or theoretical context, but the bulk of class time will be devoted to discussion.  Besides introducing you to a fascinating area and era of study, a major goal of this course is to improve your analytical abilities--specifically, your ability to see how texts work rhetorically, aesthetically, and culturally.  Another major goal is to develop your skill and pleasure in communicating ideas, both in class and on paper.   

 

 


TEXTS (in the BBC bookstore)

 

Shakespeare, The Tempest (Pelican)

Sagely, imperialistic-minded Prospero vs. the sly, lyrical, beastly Caliban: this late play of the Bard presents the key issues that later define the New World experience.


William Andrews, ed. Journeys in New Worlds
(Wisconsin)

This volume includes an autobiography of a demur Puritan woman, Mary Rowlandson, who learns to survive in the Indian “wilderness”; and the memoir of a Quaker woman who recalls her rebellious escape from paternal and cultural tyranny to carve out a space of independence in the New World.


Olaudah Equiano, The Interesting Narrative and Other Writings
(Dover)

From village in Africa, to slave ship, to the Americas and middle-class success: Equiano’s life-story captures the early tensions of African-American identity in elegant and stirring prose.


Ben Franklin, Autobiography
(Dover)
The quintessential American—or is he?  To know Franklin in his brief autobiography is to know key aspects of “American” identity.

Charles Brockden Brown, Wieland and the Memoirs of Carwin the Biloquist (Penguin)
One of the first American gothic potboilers, this novel revolts against the sunny pragmatism and rationalism of Franklin.


 

 

 

 

 

 

 

 

GRADES & DUE DATES

 

33%     = 10 1-page Response Papers
33%     = 10-page Essay
33%     = 5-page Final Synthesis Exam

Turnitin: 10 responses, see syllabus for due dates and topics
Turnitin: due March 1
Turnitin: due April 20

 

 


 
COURSE POLICIES & ASSIGNMENTS

 

Participation and attendance:  Every student is a vital part of the class community, and I will expect you to work to make the class an intellectually energizing experience.  The flow of good discussions will result in a course more satisfying for everyone.  Participation can take a variety of forms--the raising of questions or issues, stating opinions about the work or topic being discussed, responding to other students’ or my comments, involvement in group activities, and so on. Classroom participation will affect your final grade positively, helping to pull it up a notch or two, especially in borderline cases.

Always bring the syllabus and current text to class.  Regular, and on time, attendance is required. You get two absences penalty free.  I won't ask, and you don't need to tell me the reason.  For the next two absences, your grade will be docked a notch--e.g. B+ to B--except in cases of true emergencies.  If you miss more than six classes, you cannot pass the course. 

Turnitin Site:  The Response papers, Essay, and Final Synthesis Exam are all turned in via Turnitin (address at the top of this page).  You will need to register on Turnitin for this course by using the course I.D. and password 
3040210  columbus.

 

Response Papers:  Response papers help make sure you are on "top" of the readings and prepared for discussion (in lieu of quizzes or exams!) and help you develop the habit of intense scrutiny.  There will be ten of them, each worth ten points; grades will be based on a standard grade scale (i.e., A- =9, B- = 8, etc.).  There will be two catch-up responses towards the end of the semester (to replace 0/F grades or lackluster ones), but otherwise they will be due, via Turnitin, on the designated dates on the syllabus.  Usually, you’ll be asked to respond to a passage in a work we’re about to discuss, or you’ll be asked to select a significant passage on your own and justify/explain its significance; sometimes the cues may be more open-ended.  I’ll give the response paper cue at least one week in advance; they must be submitted before the class meeting they are associated with.  I’m not a word counter, but you should try for about 250 words for each response.  A decent style, solid grammar, and clarity and insight are expected.  Please submit them via Turnitin in single-space format.  Feedback will not be lavish, but I will try to direct your attention to poor prose habits and potential seed ideas (in anticipation of the Essay below).

 

Essay:  Topics will be given for this ten-page paper; I encourage you, however, to develop your own.  A handout for topics and essay-writing tips will be provided down-the-road. Little slack will be given for sloppy prose.  Any essay with a number of major grammatical or sentence-construction glitches will be returned without a grade, and at my discretion will be deemed late.  A late paper will be penalized a grade for each class period submitted late, and only emergencies will allow you to submit your essay late without a penalty.  Revisions will be accepted up to two weeks after you get your paper assessed on Turnitin; please review your paper with me in conference before you revise it.  The revision grade replaces the original grade; however, my standards for revision are very high, so casual revising (fixing a problem here and there) will not earn you a better grade.  Submit the revised paper directly to me via email (not Turnitin).

  

Take-home Final Synthesis Exam:  You will be given three broad and comprehensive questions roughly two weeks before the due date of the exam (the otherwise date for an in-class exam, if there were one).  You will choose one of the questions, leading you to discuss an issue/theme/etc. in four or five of our main authors.  Instructions will be provided down-the-road.  As this essay is at the end of the semester, revisions will not be possible.
 

Incompletes:  These can only be granted if you have a health or family emergency.

 

Plagiarism:  Don't do it.  Plagiarism is easy to detect (especially by the Turnitin site), and the consequences for being found guilty of it can be devastating for your FIU career, besides being ethically nasty.  If you do not know FIU's policies on plagiarism, learn them.  If you get desperate/stressed in your course work, it’s better to talk to your professor than to passively not turn in work or cheat.

Conferences, Email, etc.:  I am always happy to meet with you during office hours to talk more about the readings or other course matters.  For brief questions or to set up a conference outside of my regular office hours, you may call me at my home number (for emergencies), leave a message on my office phone (305-919-5254), or email me at harveyb@fiu.edu.  I almost always return email messages within the same day I receive them, so if you don't get a reply within a day, you should assume I didn't get the original message.  P.S. If you are interested in pursuing an advanced degree, whether in a profession (Law, for example) or an MA or PhD in an English or Humanities field, feel free to come by to discuss such with me. 

 

   

 

 SYLLABUS CALENDAR

 

Class and Due Dates

Due dates for the Essay and Final are in bold red; click for instructions.

Response papers are listed beneath the class period for which they are due (before class).

Response paper cues are at the end of this syllabus.
 

Readings

Read both the books and the e-texts.  You should print out the e-texts and bring them to class along with our main books.

Prof. Stuff

Read my lecture notes, study questions, etc. before or after the associated class; also read them in conjunction with the evolving Course Summary linked at the top of this page.

Web Links

Read these cultural-historical or author links before class.

 

 

THE "DISCOVERY"   

 

 

 

Jan 4

Course Introduction  

 

 

 

Jan 6

Columbus, "Letter to Lord Sanchez" (e-text)

Vespucci, "Account of His First Voyage" (e-text)
Montaigne, Of Cannibals (e-text)
 

Vespucci summary

Vespucci

Columbus (read Columbus part and skim rest according to your interest)

 

 

IMAGINING THE NEW WORLD

 

 

 

Jan 11

RESPONSE#1 (go to end of the syllabus for the cue) due  via Turnitin before the  beginning of class

Shakespeare, The Tempest

Try to read the entire play by today (or at least the first ½).

The Wiki. article in the far right column is better than the intro. to our edition (which I found meandering and thus not required reading). It does not matter whether you read the links to the right and far right for today or over the next class meetings on the play—up to you.

Tempest summary

Utopia

Renais...

Chain

Wiki-Tempest

 

Jan 13

Shakespeare continued 

Film: Black Robe


 

BlackRobeReview

 

 

Jan 18
MLK Holiday

No Class: Holiday

 

 

 

Jan 20

Shakespeare continued  

 

 

 

 

NATIVE AMERICAN AND PURITAN COMMUNITIES AND BELIEFS

 

 

 

Jan 25

Cherokee Indian Creation/Trickster/Hunting Tales (e-text)

Indian summary
 

Native
religion#1


Native religion#2

 

Jan 27

RESPONSE#2 (go to end of the syllabus for the cue) due  via Turnitin before the  beginning of class

Sioux Indian "Younger Brother" Tale  (e-text)

 

 

 

Feb 1

Winthrop, "Christian Experience," "Journal," & "Model"  (e-text)

Puritan summary 1

Puritans

 

Feb 3

Bradford, Of Plymouth Plantation (e-text) 

 

 

 

 

17TH/18TH-CENTURY NARRATIVES OF CAPTIVITY & ASSIMILATION

 

 

 

Feb 8

ESSAY DUE MARCH 1 CLICK FOR INSTRUCTIONS (if you write on Equiano your paper can be due the following week, March 8)

ESSAY TOPICS (including Rowlandson and Equiano)


ESSAY SAMPLE


Rowlandson, "A Narrative of the Captivity ..." (in Journeys)

Please try to read the bulk of this for today.

I suggest that you read the first pages of the editor’s introductory historical material, pages 13-20, before you read Rowlandson's narrative, pages 31-65 (the preface by a Puritan minister immediately before can be skipped); and the last pages of the introduction 21-26, after you read her work.

Puritan summary 2 & Rowlandson

King Philip’s War (this site provides, more or less, the same background material as our Journeys volume on Rowlandson)

 

Feb 10

RESPONSE#3 (go to end of the syllabus for the cue) due  via Turnitin before the  beginning of class

Rowlandson continued

Please read all of her narrative by today.

 

 

 

Feb 15

Rowlandson continued

 

 

 

 

Feb 17

Equiano, The Life of...: Editor’s Note or Introduction (not the Preface written by Equiano himself!!!); Chapters I-III, IV (first several pages), V, VII-VIII, X-XI, XII (first several pages; last several pages), & Preface (Preface only makes sense after you've read the narrative)

Try to read the entire work by today, although our discussion will roughly treat the work in thirds. 

Equiano summary with the same links as in the column to the right (this comes from an Intellectual History course I teach, and so some of the points will be out of context)

Equiano and the historical context of the slave trade (click on the first 5-10 “next” pages of this site)





Equiano "fabrication" issue

 

Feb 22

RESPONSE#4 (go to end of the syllabus for the cue) due  via Turnitin before the  beginning of class

Equiano continued

 

 

 

Feb 24

Equiano continued

 

 

 

GREAT AWAKENINGS: DECLARATIONS OF INDEPENDENCE--SELF AND NATION MAKING

 

 

March 1

ESSAY SAMPLE

ESSAY DUE MARCH 1 CLICK FOR INSTRUCTIONS (if you write on Equiano your paper can be due the following week, March 8)

ESSAY TOPICS (including Rowlandson and Equiano)

No reading
Film or art slide show

Please review the Course Summary to help you consolidate your understanding of our readings thus far:

LINK TO COURSE SUMMARY

 

 

 

March 3

RESPONSE#5 (go to end of the syllabus for the cue) due  via Turnitin before the  beginning of class

Franklin, Autobiography of B. Franklin (Parts One & Two)

 

Franklin

 

March 8

Franklin continued


Don’t read/cut from syllabus
Edwards, "Sinners in the Hands of an Angry God" and a "Divine and Supernatural Light" (e-text) 

 

 

 

March 10

RESPONSE#6 (go to end of the syllabus for the cue) due  via Turnitin before the  beginning of class today OR next class March 22 after Spring Break.

Ashbridge, Autobiography (in Journeys)

Read the introductory material on Quakers in our edition (121-23) before reading Ashbridge's account (147-70). 

Read the remaining interpretive material (119-21 & 124-29, skipping the too technical 130-44) after you read Ashbridge. You do not need to read the secondary accounts, from friends and husband, that follow Ashbridge's memoir.

Ashbridge summary



 

 

Spring Break
March 15 17

No Class: Spring Break

Please try to read CB Brown’s Wieland (see below) over the break in its entirety.

Please review the Course Summary to help you consolidate your understanding of our readings thus far:

LINK TO COURSE SUMMARY

 

 

 

March 22

RESPONSE#6 alternative due date (due via Turnitin by 11:59pm midnight)

DEAR STUDENTS: The remaining response papers are due at midnight after class rather than by 5:00 before class. 

The catch-up/revised-responses have been increased to 3 rather than 2.  You may submit these at anytime up thru April 16 (2 days after the last day of class), directly to me harveyb@fiu.edu.  I will then enter the missed or revised grade in the appropriate Turnitin assignment slot.

 

Ashbridge continued



 

 

 

 

THE DANGERS OF INDEPENDENCE: AMERICAN GOTHIC

 

 

 

March 24

RESPONSE#7 due by midnight after class

Brown, Wieland (do not read Memoirs of Carwin)

Read Fliegelman introduction only after you read the novel, as it assumes that you have read the novel).

Try to read the novel entirely, although discussion will proceed in 1/3rd chunks.

Wieland summary

 

 

March 29

Brown continued

 

 

 

March 31

 

RESPONSE#8 due by midnight after class


Brown continued


 

 

 

 

THE PASTORAL/SUBLIME TRADITION: GOING INTO THE WOODS & GOING WEST

 

 

 

April 5


RESPONSE#9 due by midnight after class

Crevecoeur, "What is an American?" (e-text)

DeTocqueville excerpt:
(e-text)


Please note that all our readings have been thematically grouped; go back above and glance at the bold-capital lettering.

We will finish the 2nd half of Last of the Mohicans down-the-road.

The link for the Final instructions is available to the left/below.

The readings from here on are fairly “lite” length-wise, but profound in terms of cultural/intellectual/ideological history.

Finally, please do read before the end of the semester and in preparation for the Final Essay, the
COURSE SUMMARY.

 

 

 

April 7

INSTRUCTIONS FOR FINAL TAKE HOME EXAM DUE APRIL 20

Irving, "Rip Van Winkle" (e-text)

Irving summary

Irving

 

April 12

RESPONSE#10 due by midnight after class

Emerson, Excerpt from “Nature” (e-text)

Film: to be decided

 

Emerson bio: just read the 1st paragraph or so

 

April 14 (last day of class)

INCLASS SHORT ANSWER FINAL EXAM ALTERNATIVE: MONDAY APRIL 19 5:00-7:00pm

INSTRUCTIONS FOR FINAL TAKE HOME EXAM DUE APRIL 20




 

Review, Wrap-Up, and Class Evaluation
Film: continued

COURSE SUMMARY

 

 

CATCH-UP/REVISED RESPONSES

The catch-up/revised-responses have been increased to 3 rather than 2.  You may submit these at anytime up thru April 16 (two days after the last day of class), directly to me harveyb@fiu.edu.  I will then enter the catch-up or revised grade in the appropriate Turnitin assignment slot.

 

 

 

 


 

 

 

 

 

 

 

 

 

Response#1 Jan 11

What do you make of Caliban’s first major passage, ActI, scene2, lines 330-344,”I must eat my dinner./This island’s….” (page 19 in Pelican edition)?

 

 

 

Response#2  Jan 27

Provide a mini-interpretation of the Sioux Indian "Younger Brother" Tale 

or

Provide a mini-interpretation of the film "Black Robe" (or of a particular character or scene etc.)

 

 

 

Response#3  Feb 10

At the end of Rowlandson’s narrative (3 or so paragraphs from the end) she reflects: “I can remember the time when I used to sleep quietly without workings in my thoughts, whole nights together, but now it is other ways with me. When all are fast about me, and no eye open, but His who ever waketh, my thoughts are ….” What causes her insomnia? (figuring this out fully would equal a great paper topic!)

 

Response#4  Feb 22

Respond to either: In Chapter Five, Equiano tells us that he "managed an estate, where ... the negroes were uncommonly cheerful and healthy..."  Read this passage carefully.  Does Equiano seem to be a "sell out" here?


Or: What do you think makes Equiano most happy? Why is he SO preoccupied with his new blue suit, which he envisions wearing to a dance ball, in Chapter Seven (six or seven pages in)?  (Note his initial pride, conveyed in Chapter One, in his father's chief status.)

 

 

 

Response#5 March 3

Choose a passage from Franklin’s Autobiography, either Part One or Part Two, and justify why it is an especially important passage (i.e. the sort of passage a professor would highlight in class).  Don’t quote the whole passage, just the first sentence or so.

 

 

 

Response#6 March 10 or 22

Same as above, but for Ashbridge.

 

 

 

Response#7 March 24

Same as above, but for Brown’s Wieland (most likely from the first 1/3rd of the novel); see below, also.

 

 

 

Response#8 March 31

Now that you’ve finished the novel (!), amplify your response above: refine it in light of the entire novel… is it still a highly significant passage? Does it forecast subsequent developments, etc.? (The goal with this tandem Response#7 & 8 is to help you to learn to intuit what is important; and, by the way, “intuition” is in of itself an important philosophical problem, related to the cause-effect mysteries of cognition that vexes Brown.) 

If you did not submit Response#7, just choose an important passage from the novel and reflect on its key significance.

 

 

 

Response#9 April 5

Rank seven or so of the works we’ve read this semester in terms of intellectual pleasure (not quite the same as aesthetic pleasure!), and in a sentence for each ranking explain/explore the work’s merit (or lack of merit: I use this response, in part, to help determine what texts to use in future versions of the course). 

 

 

 

Response#10 April 12

Briefly explain how Irving’s “Rip Van Winkle” or the Emerson excerpt from his essay “Nature” fits, to your mind, into the themes/cultural history of this course.