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Symbolism
and Religion: Religion, at least in the sense of
"faiths" rather than "organized institutions for
ritual gatherings," asks the same question of the person as do
the arts: How do you respond? No matter what your faith,
theistic, political, philosophical, or other, it challenges you to
respond and it has its symbols that call forth some response from
you. Otherwise, it ceases to be a "faith" and becomes
(relatively) simple, impersonal teachings, the dogmas of our masks.
These are the beliefs we use to protect ourselves from other belief
and value systems. The beliefs in our faith, on the otherhand,
inspire and motivate us; they are central to our beings, they are
central to whom we each see ourself as being. These beliefs
center on what Paul Tillich called our "ultimate concern."
And that which forms this center of our values and beliefs, he said,
"must be expressed symbolically, because symbolic language alone
is able to express the ultimate." (Tillich,
Dynamics of Faith, 41) Therefore, when we express our core
beliefs, we must use symbolism, no matter how concrete the images
used to express that faith. (Tillich,
Dynamics, 53)
This
is not to say that organized religions, whether those of primitive
societies or the "world religions," do not express the
faiths of many of their members. These organizations could
never have formed had not the religious movements out of which they
emerged not expressed the critical beliefs and values
of those who formed them into lasting "institutions."
Regardless, these values, these beliefs have to be expressed by
symbolic language. This does not mean that some, even most, of
the believers do not take the language literally. The problem
with interpretation, given Tillich's statement about the necessity of
symbolism, is that its interpretation is never complete; worse, the
interpretation loses meaning, thus loses meaningfulness, as the
Christian theological demythologizers of the twentieth century
illustrated.
It is not just theologians, mystics, and religious leaders who speak of faith, of the power of beliefs. William James, a pioneer psychologist in the study of comparative religious beliefs, made clear the difference between dogma and faith when he stated, "In the religious sphere, in particular, belief that formulas are true can never wholly take the place of personal experience." (The Varieties of Religious Experience, 457) Indeed, a few paragraphs earlier he almost decried "philosophy" in terms that argue for symbols, for "truth and fact". (James, Varieties, 456.)
Carl Liungman's Dictionary of Symbols is covered in more
detail in § 2, along with other dictionaries. However,
beginning on page 64 he has an impressive chapter dealing with the
history of the Nazi selection, design, and use of symbols in their
rise to power. Additionally, he follows their continued
development of such symbols and signs as the reverse swastika and the
SS emblem.
Going
one step further, he deals briefly with the efforts of other
political parties and nations to counter the use of the Nazi
symbols. Through it all, there is portrayed the struggle, too
often overlooked in modern histories of the era, for faith and
defining the faith of the masses, a struggle in which Liungman
portrays the Nazis as succeeding more completely than their belated
competitors both in design and comprehension of the importance of the
symbols and signs used to represent their movement. The
author/editor provides an important view of a concrete example of the
importance of both the symbols and the symbolism network in
practice. Given the emphasis on the "packaging" of
candidates for political office, Liungman's coverage of this aspect
of Nazism is very informative and relevant to today.
The Dictionary of Biblical Imagery, edited by Ryken, Wilhoit, and Longman, is a major resource concerning the use of imagery within the Bible, as well as in surrounding cultures (including Classical Greek and Roman writers.) It is full of cross-references, internal references (marked by asterisks), "see also" references, and is well indexed, both by scripture passage and by topic. Indeed, its topical articles are the work's strength. Many story "types" are described fully in various cultural contexts ("Cheat the Oracle," "Deception, Stories of,", etc.) In contrast, many of the individual, concrete images ("Cross," "Donkey, Ass," "Rainbow," etc.) take up a column or less. Indeed, the article on "Cross" (not "The Cross," which the author grammatically emphasizes to the point of poor grammarical constructions, nor the generic "Crosses") covers both the item of crosses and the process of crucifixion so briefly, vaguely, and incompletely, that the articles's description of its use as image seems to presume the reader has already more background in the matter than what the author(s) included. Most articles on specific images describe the factual information about the image, then give some information on its general use as a symbol, with cultural information, followed by specific uses within biblical passages. The longer articles usually include subheadings in bold and sub-subheadings in italics to make finding more specific information easier. For additional information, many of the articles include brief bibliographies. A very limited use of black and white illustrations does augment those articles to which they are attached.
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— General — Christian symbolism —
Clift, Jean Dalby,
and Clift, Wallace B. The Archetype of Pilgrimage:
Outer Action with Inner Meaning. Mahwah, N.J.:
Paulist Press, 1996. 182pp., 0-8091-3599-X.
BL619.P5C57 1996.
Eliade, Mircea. Myths, Dreams, and Mysteries: The Encounter between Contemporary Faith and Archaic Realities, translated by Philip Mairet. New York: Harper & Row, 1967; English translation originally published by Havrill Press, 1960; Originally published as Mythes, Réves et Mystères by Libraírie Gallimard, 1957. 254 pp. [PG31] BL311.E413 1967.
Eliade, Mircea. Myths, Rites, Symbols: A Mircea Eliade Reader, edited by Wendell C. Beane and William G. Doty. New York: Harper Colophon Books, 1976. 2 vols., 465pp., 0-06-131955-4 (vol 1), 0-06-090511-5 (vol. 2). [PK045; PK046] .
Eliade, Mircea. The Sacred & the Profane: The Nature of Religion, translated by Willard R. Task. New York: Harcourt Brace Jovanovich, 1959. 256pp., 0-15-679201-X. [PL076] BL48.E413 1959.
Eliade, Mircea. Shamanism, Archaic Techniques of Ecstasy. New York: Pantheon Bks, 1964. BL2370.S5E413 1964.
Farley, Edward. Deep Symbols: Their Postmodern Effacement and Reclamation. Valley Forge: Trinity Press, 1996. P99.S62F37 1996.
James, William. The Varieties of Religious Experience. London: Longmans Green, 1908.
Liungman, Carl G.
Dictionary of Symbols, Santa Barbara, CA:
ABC-Clio, 1991. English translation of Symboler--västerländska
ideogram. Malmo: Merkur International KB, 1974.
[HO160] BL603 .L5413 1991. See "The Ideographic Struggle
in Europe During the 1930s," pp. 64ff.
Neville, Robert Cummings. The Truth of Broken Symbols. Albany: State University of New York Press, 1996. BL600 .N48 1996.
Olson, Alan M., ed. Myth, Symbol, and Reality. Nortre Dame: University of Notre Dame Pr., 1980. 189 pp., 0-268-01346-2 [HN079] BL304.M87.
Tillich, Paul. The Dynamics of Faith. New York: Harper Torchbooks, 1958. 134 pp.
Walker, Barbara.
The Woman's Dictionary of Symbols and Sacred Objects.
San Francisco: Harper & Row, 1988. 563 pp.;
0-06-250992-5.
CB475.W45 1988.
Whitehead, Alfred North. Symbolism:
Its Meaning and Effect. New York: Macmillan,
1927. 88pp. BF458.W5.
Apostolos-Cappadona,
Diane. Dictionary of Christian Art. New
York: Continuum, 1994. 376pp., 0-8264-0779-X.
BV150.A66 1994.
Bercovitch, Sacvan, ed. Typology and Early American Literature. S.l.: University of Massachusetts Press, 1972. 340pp. BS478.B47.
Brumm, Ursula. American Thought and Religious Typology, trans. John Hooglund. New Brunswick, NJ: Rutgers University Press, 1970. 265pp., SBN: 8135-0621-2. BS478.B7713.
Burke, Kenneth. "On the First Three Chapters of Genesis." In: May, Rollo, ed. Symbolism in Religion and Literature. New York: George Braziller, 1960.
Dictionary of Biblical Imagery. Leland Ryken, James C. Wilhoit, and Tremper Longman III, general editors. Downers Grove, IL: IVP Academic, 1998. 1058pp, 978-0-8308-1451-0. [HR197] BS537.D48 1998.
Ferguson, George.
Signs & Symbols in Christian Art. New York:
Oxford University Press, 1954; papaerback, 1961. 192
pp.;0-19-501432-4.
[PP219]
Kelsey, Morton T..
Myth, History and Faith: The Remythologizing of
Christianity. New York: Paulist Press, 1974.
185 pp.;0-8091-1827-0
[PL064]
Metford, J. C. J.
Dictionary of Christian Lore and Legend. London:
Thames and Hudson, 1983. 272pp.
BR95.M396.
Murray, Robert. Symbols of Church and Kingdom: A Study in Early Syriac Tradition. Cambridge: Cambridge University Press, 1975. 394pp, 0-521-20553-0. UGEN BV598.M87.
Rees, Elizabeth.
Chistian Symbols, Ancient Roots. London: Jessica
Kingsley Publishers, 1992; paperback, 1997. 165pp.,
1-85302-179-2.
[PR007] BV150.R--- 1992.
Sill, Gertrude Grace.
A Handbook of Symbols in Christian Art New York:
Collier Bks, 1975. 241 pp.;0-02-000850-3.
[PO206] N8010.S54.
Stafford, Thomas Albert. Christian
Symbolism in the Evangelical Churches. New York:
Abingdon Press, 1942. 176pp.
[PH032]
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